Do | Re | Do | Sol | Sol | Sol | Mi | Sol/Re | mi | Do | Ti | DO | I | V6 | I |
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Do | Ti | Do | Sol | Fa | Sol | Mi | Re | Mi | Do | Re | DO | I | vii°6 | I |
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Do | Re | Ti | Sol | La | Sol | Mi | Re | Re | Do | Fa | Sol | I | ii6 | V |
| Do | Re | Ti | Sol | La | Sol | Mi | Fa | Re | Do | Fa | Sol | I | ii6 | V |
| Do | La | Ti | Sol | La | Sol | Mi | Re | Re | Do | Fa | Sol | I | ii6 | V |
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S | Mi | Re | Do | | Do | Ti | Sol | | Sol | Fa | Mi | B | Do | Re | Mi | | I | vii°6 | I6 |
Most common | S | Do | Ti | Do | | Mi | Re | Do | | Sol | Fa | Sol | B | Do | Re | Mi | | I | vii°6 | I6 |
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Do | Re | Mi | Sol | Ti | Do | Mi | Fa | Sol | Mi | Re | Do | I6 | vii°6 | I |
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Mi | Sol | Fa | Sol | Sol | Sol | La | Ti | Do | Re | Do | Re | Do | Ti | La | Sol | I | V6 | IV6 | V |
Yes in this case V can go to IV!!! | |
- When you have successive first inversion triads the voice leading works well when a different part of the triad is doubled
- Very effective is alternating doubling the root and the third
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Do | Do | Re | Ti | Do | Sol | Sol | La | Sol | Sol | Mi | Mi | Re | Re | Mi | Do | Mi | Fa | Sol | Do | I | I6 | ii6 | V | I |
Doubled the third then the root | Do | Do | La | Ti | Do | Sol | Sol | La | Sol | Sol | Mi | Do | Re | Re | Mi | Do | Mi | Fa | Sol | Do | I | I6 | ii6 | V | I |
Doubled the root then the fifth | Do | Do | Re | Ti | Do | Sol | Sol | La | Sol | Sol | Mi | Sol | Fa | Re | Mi | Do | Mi | Fa | Sol | Do | I | I6 | ii6 | V | I |
Doubled the fifth then the third |
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