Dr. Sebastian Anthony Birch
NOTATION
Clefs
Accidentals
Dynamics
Tempo Markings
Beaming Rules
SCALES
Solfege Syllables and Scales
Scales
Scale Degrees
Major and Minor scales template
Circle of Fifths
Circle of Relative Keys
RHYTHM
Meter and time signatures
Simple and Compound Meters
Meter and Time Signatures
(sibelius exercise)
Rests (sibelius file)
INTERVALS
INTERVALS Part I
INTERVALS Part II
Intervals Part III- Inversions
CHORDS
Triads
Seventh Chords
Second Inversion Triads
Voice Leading
Common Practice Progressions
Cadences
Phrases
Non Chordal Tones
Bass harmonization
DIATONIC COMMON CHORDS
Modulation
The Dominant Seventh
Voice Leading of the Dominant Seventh
Common-tone Diminished 7th Chords
TRIADS
Root Position Triads
Common Practice Progressions
Voice Leading of the V Chord
Voice Leading of first inversion triads
Voice leading of the First Inversion Triad
(new Version)
Voice Leading of Second Inversion Triads
SEVENTH CHORDS
Voice Leading of the Dominant Seventh
VOICE LEADING OF THE ii7
VOICE LEADING OF THE ii°7
VOICE LADING OF THE viių7
VOICE LEADING OF THE vii°7
Common-tone Diminished 7th Chords
CHROMATIC HARMONY
Solfege Syllables of Secondary Dominants and Secondary Leading tone chords in Major
Solfege Syllables of Secondary Dominants and Secondary Leading tone chords in Minor
Secondary leading-tone seventh chord substitutions
Guide to Analysis
Email:
sbirch@kent.edu